The famous Great Exhibition in London's Hyde Park in summer 1851 included contributions from around the globe in various sections showcasing industrial and agricultural produce, including those that would later develop into 'national pavilions'.
Many souvenir publications and images were created to register the Exhibition, including a series of coloured lithographs published Dickinson Bros, illustrating each section with its exhibits.
Artist Joseph Nash (1809-1878) was commissioned to produce pictorial records of the exhibition, and he enlivened the static displays by populating them with appropriately dressed figures, giving the impression of a global audience, albeit sparsely scattered instead of the crowded throng that flocked to the Crystal Palace.Thus the textiles, equestrian trappings, and leather goods from 'Tunis' have human accessories wearing fezes.
Sugar cane and sacks of unidentified raw material from Trinidad and Bahamas are accompanied by a nursemaid in typical Caribbean attire, in charge of white British children.
while India, grandest of all colonial possessions, with stuffed and caparisoned elephant, is shown with a visiting Moghul group of two men and a boy, escorted by a white gent in top hat.
all and more reproduced in Dickinsons' comprehensive pictures of the Great Exhibition of 1851: from the originals painted for H.R.H. Prince Albert (Dickinson, Brothers, 1854).
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