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And most exciting of all, a sample of calligraphy,
attributed to Burne-Jones but very much in William Morris’s own manner, as an
illuminated title Laus Veneris as if
for a manuscript of Swinburne’s poem, and almost exactly as depicted on the
music stand in Burne-Jones’s great painting. LOT 85
This appears to have come from Kelmscott
originally, having been owned by the mother of artist Edward Scott-Snell who was a tenant of the Manor during WW2 and acquired
things at the sale in 1939. It passed to
her grandson Joscelyn Godwin, professor at Colgate University, Hamilton,
US. Being an exquisite and hitherto unpublished item
so closely linked to the painting, it deserves wider circulation and research.
All information about the auction and other lots here:
http://www.sal.org.uk/kelmscott-manor/auction-catalogue-(25-september-2014)/
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