What's nice is that between stucco pilasters and brick swags on the exterior wall of their new dairy the new commercial owners commissioned large sgraffito decorations, showing bucolic scenes and up-to-the-minute views of modern butter-making and suburban milk delivery - giving an illustrated history of agricultural development that also acknowledges the pastoral nostalgia for lost rusticity that accompanied Victorian urbanisation, a thread that runs through Tindall's work.
It's amazing that after 120 years the seven sgraffito panels are still in place and in relatively good shape despite their main bus-route location. They show milkmaids with grazing cows, old-style delivery with pails and yokes, and the interior of a new hygenic dairy. No-one seems to know who designed or made the panels, though it ought to be possible to find out.
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